Humanities Seminars Course: Men In Tights, Women Who Fight: Gender, Race, and Superheroes
Andy Mangels has written 50 of the in-depth entries for this massive and authoritative volume from the publishers of VideoHound's Movie Guide! Virtual invulnerability. Motivated to defend the world from evildoers. A secret identity. And a penchant for looking good in long underwear.
By the end of the twentieth century the real world had become a darker place, necessitating a new kind of hero. Popular heroes of yesteryear were reinvented to meet the demands of a new age. The popular culture witnessed the rise of the anti-hero, the fresh breed of brazen, gritty adventurer that includes the likes of Elektra, the Punisher, and Wolverine. M3 M37 JLA-Z : [a guide to the world's greatest super-heroes! D3 M33 K59 Superhero comic books are traditionally thought to have two distinct periods, two major waves of creativity: the Golden Age and the Silver Age.
In simple terms, the Golden Age was the birth of the superhero proper out of the pulp novel characters of the early s, and was primarily associated with the DC Comics Group.
The superhero book : the ultimate encyclopedia of comic-book icons and Hollywood heroes
In this book, Geoff Klock presents a study of the Third Movement of superhero comic books. He avoids, at all costs, the temptation to refer to this movement as "Postmodern," "Deconstructionist," or something equally tedious. Analyzing the works of Frank Miller, Alan Moore, Warren Ellis, and Grant Morrison among others, and taking his cue from Harold Bloom, Klock unearths the birth of self-consciousness in the superhero narrative and guides us through an intricate world of traditions, influences, nostalgia and innovations - a world where comic books do indeed become literature.
The Superhero Reader by Charles Hatfield, et al. S87 Online. Despite their commercial appeal and cross-media reach, superheroes are only recently starting to attract sustained scholarly attention.
This groundbreaking collection brings together essays and book excerpts by major writers on comics and popular culture. While superhero comics are a distinct and sometimes disdained branch of comics creation, they are integral to the development of the North American comic book and the history of the medium. For the past half-century they have also been the one overwhelmingly dominant market genre.
The sheer volume of superhero comics that have been published over the years is staggering. Major superhero universes constitute one of the most expansive storytelling canvases ever fashioned.
- Tribe of Shadows.
- The Superhero Book.
- Das ganz normale Böse (German Edition)!
Moreover, characters inhabiting these fictional universes are immensely influential, having achieved iconic recognition around the globe. Their images and adventures have shaped many other media, such as film, videogames, and even prose fiction. The primary aim of this reader is twofold: first, to collect in a single volume a sampling of the most sophisticated commentary on superheroes, and second, to bring into sharper focus the ways in which superheroes connect with larger social, cultural, literary, aesthetic, and historical themes that are of interest to a great many readers both in the academy and beyond.
M67 In a matter of years, the skies of the imaginary world were filled with strange mutants, aliens, and vigilantes: Batman, Wonder Woman, the Fantastic Four, Iron Man, and the X-Men--the list of names as familiar as our own. In less than a century, they've gone from not existing at all to being everywhere we look: on our movie and television screens, in our videogames and dreams.
But what are they trying to tell us? For Grant Morrison, arguably the greatest of contemporary chroniclers of the "superworld," these heroes are powerful archetypes whose ongoing, decades-spanning story arcs reflect and predict the course of human existence: Through them we tell the story of ourselves, our troubled history, and our starry aspirations. In this exhilarating work of a lifetime, Morrison draws on art, science, mythology, and his own astonishing journeys through this shadow universe to provide the first true history of the superhero--why they matter, why they will always be with us, and what they tell us about who we are.
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Brown Call Number: PN B76 Online. A history of the trailblazing comics that broke color barriers and portrayed African Americans in heroic storylines What do the comic book figures Static, Hardware, and Icon all have in common? Black Superheroes, Milestone Comics, and Their Fans gives an answer that goes far beyond "tights and capes," an answer that lies within the mission Milestone Media, Inc.
Milestone was the brainchild of four young black creators who wanted to part from the mainstream and do their stories their own way. This history of Milestone, a "creator-owned" publishing company, tells how success came to these mavericks in the s and how comics culture was expanded and enriched as fans were captivated by this new genre.
Milestone focused on the African American heroes in a town called Dakota. Quite soon these black action comics took a firm position in the controversies of race, gender, and corporate identity in contemporary America. Characters battled supervillains and sometimes even clashed with more widely known superheroes.
Some competitors, however, accused their comics of not being black enough or of merely marketing Superman in black face. Some felt that the stories were too black, but a large cluster of readers applauded these new superheroes for fostering African American pride and identity.
Related The Superhero Book: The Ultimate Encyclopedia of Comic-Book Icons and Hollywood Heroes
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